Showing posts with label Sophie Aldred. Show all posts
Showing posts with label Sophie Aldred. Show all posts

Saturday, December 11, 2010

Short Trips: Model Train Set

BBC Audio. 1 episode, approx. 20 minutes. Written by: Jonathan Blum.


THE PLOT

The recently-regenerated 8th Doctor, investigating the TARDIS' study, finds himself bored with the amazingly complex, perfectly-coordinated model train set that was so prized by his previous incarnation. Through younger eyes, the movements of the trains seem so predetermined, the papier-mache settings along which the tracks run seem so lifeless. If he always knows exactly what is going to happen, then what is the point of even bothering to observe it?

That's when he's struck by a flash of inspiration. He uproots his predecessor's prize and distributes soil over the papier-mache to grow real grass over the green paint. He upgrades the trains and the model railroad workers, so that the model people can lay their own track and control the running of their own railroads. He is delighted to see the unpredictable patterns that emerge... but has he set loose something other than what he expected?


CHARACTERS

The Doctor: Jonathan Blum knows his 8th Doctor, and his 7th Doctor. This story effectively is a 20-minute commentary on both incarnations, contrasting the newly-born 8th Doctor against his predecessor. The 7th Doctor enjoyed the challenge of creating a perfect pattern, setting in motion a plan that would proceed exactly the way he wanted it to, even if that plan was simply the movements of some model trains.  By contrast, the 8th Doctor finds such absolute control stifling. He thirsts for something spontaneous, for surprises. The 7th Doctor has sometimes been accused of "playing God." But in this story, it is the 8th Doctor who takes the 7th Doctor's puppets and invests them with sufficient free will to create their own destiny. The results are more chaotic, but are perhaps more rewarding too. Blum also points to the 8th Doctor feeling more free in this younger incarnation, notably in a line in which the Doctor reflects how old he was at the end of his previous life, and that "he never wanted to be that old again."


THOUGHTS

Model Train Set is a very short piece, deceptively simple on the one hand and quite complex on the other. It is pure allegory, of course. Any listener or reader will quickly catch on that the 7th and 8th Doctors' approaches to the train set mirror their approaches to humanity, even without a few of the more heavy-handed narrative asides. But it's quite a rewarding allegory, charming and sometimes humorous. Blum, who has made no secret of his admiration of both the 7th and 8th Doctors, has crafted nothing less than a celebration of the 8th Doctor's exuberance for life, the enthusiasm that was the most defining single element of Paul McGann's performance in The TV Movie. It is easy to picture this Doctor reacting with childlike glee toward his renovated train set, and his emotional reaction to a setback in its development is something that rings true for this incarnation.

I enjoyed the story a lot, but there are points at which Blum's writing (generally quite strong) overeggs things a bit. An aside about how the 7th Doctor "made the trains run on time" is unnecessary and calls far too much attention to itself within a paragraph that would have been much stronger without it. Also, the overall allegory is clear enough without bits in which the writing spells it out for us by directly linking the model train set to humanity.

Occasional heavy-handedness aside, it's a good piece. Quiet, small, and perfectly characterized, it's an excellent use of the short story format to both contrast two Doctors and to celebrate the trait of the then-current Doctor. The audio version of the story (available as part of Tales from the TARDIS, volume 2, and previously in the audio version of Short Trips & Side Steps) is extremely well-read by Sophie Aldred, who has a lovely reading voice for a story that is mostly narration, and further benefits from well-chosen music that is very well-applied.

It's a small piece. But judged as a small piece, it's a genuinely impressive one.


Rating: 9/10.

Preceded by: The TV Movie

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Short Trips: Freedom

Tales from the TARDIS CD cover.

1 episode. Running Time: Approx. 30 minutes. Written by: Steve Lyons. Performed by: Nicholas Courtney, Sophie Aldred.


THE PLOT:

The Master has finally been captured. He planned for this contingency, however. The Doctor, Jo, and UNIT soon learn that he spent his time on Earth hypnotizing people specifically to break him out if he was ever imprisoned. They're able to stop the escape fairly easily - a little too easily, in the Doctor's opinion, with him certain that his rival's plans are far from over.

The hypnotized people all worked for the same employer: The Freedom Corporation, which has just announced a breakthrough in time travel. The Doctor attends a demonstration, only to determine that the touted science is nonsense. But when he and Jo follow the lead scientist, they fall into a trap.

The Master has set up the perfect prison for the Doctor and Jo, one from which they cannot escape. He tells the Brigadier that he will return them under one condition:

His freedom!


CHARACTERS:

The Doctor: He feels some empathy for the Master. His exile on Earth already feels like a prison to him, so he can only imagine how the Master must feel at being confined to a single cell. The Doctor gets a chance at freedom late in the story, and he is explicitly tempted to take it, even though it means abandoning Earth to the Master's latest scheme. He doesn't waver long, but the temptation is real and makes for the story's single best character moment.

Jo Grant: She recognizes how badly the Doctor wants his freedom, and she feels guilt when she pleads with him to give up that freedom to stop the Master. She reflects that she wouldn't ask if she saw any other way. Sophie Aldred voices Jo's lines in the audio version, which doesn't quite work for me. It's not that she doesn't sound like Katy Manning (Nicholas Courtney doesn't particularly sound like Jon Pertwee, and yet his performance works well) - It's that her voice is just 100% wrong for Jo, and that sometimes pulled me out of the story. If they couldn't get Katy Manning in, then I think this story should have been read solely by Courtney.

The Master: Even as he sowed chaos across Season Eight, he also prepared a dual contingency plan. The first, simpler plan goes into effect the instant he's captured, as the prison is besieged by scores of people in whom he planted a hypnotic suggestion to break him out. He fully expects it to fail, but it acts as a cover for the plot involving the Freedom Corporation. When he traps the Doctor, he allows his bitterness at his imprisonment to show, telling his foe that he hopes he enjoys his prison as much as the Master enjoyed his.


THOUGHTS:

Steve Lyons' Freedom acts as a postscript to Season Eight. It makes sense that the Master would have tried to escape in between his capture at the end of the The Daemons and his final, successful breakout in The Sea Devils. There's some cleverness in the Master's plan, and the characters of the Doctor and the Master are well-realized.

The only significant weakness is a common one among Short Trips: It should have been slightly longer. The story is efficiently structured. The narrative moves back and forth in time, with scenes of the Doctor and Jo in the Master's prison interspersed with the events leading up to their capture. All the necessary beats are there, but some of them are given no time to really make an impact before the story hurtles on to the next one. The audio version of this story runs an even half hour; I think it would have felt less rushed had it been allowed just ten more minutes.


OVERALL:

Outside of wishing it had been a bit longer, I found Freedom to be very enjoyable. Nicholas Courtney does his usual fine job as narrator, and he brings both Doctor and Master to life effectively, which offsets my issues with Sophie Aldred's Jo. The story also feels entirely of a piece with the televised Pertwee era.


Overall Rating: 7/10.

Previous Television Story: The Daemons
Next Television Story: Day of the Daleks


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